Dialog by James Tye PC Authority March 1998 THE DIGITAL AGE Today nothing escapes the digital touch, but can it ever replace the warmth of analog? The world today is a more digital place, from music and video, to Watches and cameras - and for what reason? What is it about digital storage, the storing and processing of data as binary information, that's so much better than the analog medium? Are there universal themes that make digital technology superior? The most often cited is accuracy: information stored as bits is often more precise than its analog equivalent. Counters are a far more accurate way to read information than dials; CDs are less subject to 'noise' than vinyl. In fact, the music industry has been known to criticise the digital medium as being too clinical, with some die-hards preferring the warmer, more natural sound ofvinyl. This may be an extreme case, but most music sequencing software will have algorithms for 'warming up' digital drum lines and the like. This is because the levels of sampling used still require the fine rounded waves of naturally produced sounds to be shoehorned into discrete square wave segments. A human drummer won't produce the predse rhythms of a digital drum kit, and it's these slight variations in tempo that give a 'live' and 'spontaneous' feel. Listen to the synthesised spoken word and you'll realise why voice menus generally use sampled human speech, broken up not by phonemes, but by words and phrases. So digital technology is not necessarily more accurate. Does a digital watch keep better time than a Tag? There's no absolute answer. Self-winding watches can be more susceptible to the wearer's lifestyle, and digital mechanisms can be less affected by climatic changes. But given the respective costs, the accuracy per dollar is going to be a lot higher with a $25 digital watch than with a $2,500 analog mechanism. The same isn't true of digital cameras though, with an $1,500 camera producing considerably worse quality images than an $15 disposable box. No, the reason digital cameras are catching on (and they are - a trip to Japan convinced me of that) is because they're inherently more flexible than film-based cameras and undoubtedly cheaper to run. So is all digital technology more flexible? Back to CDs again; your average audio CD is no more flexible than its vinyl counterpart. Sure, DVD (digital versatile disc) will combine sound and video in one shiny silver package, but it comes 15 years after the CD became mainstream. Despite the obvious sound quality improvements - particularly noticeable at the budget end of the hi-fi market - the reason CDs succeeded was because they were convenient. No fussing with the anti-static cloth, no worrying about scratches, while finding a track demands nothing more than hitting a skip forward JUST BECAUSE IT'S DIGITAL DOESN'T MEAN IT'S AUTOMATICALLY BETTER button. But if you thought convenience was a good reason to buy a digital camera, you should look at the load some of my digital camera-wielding colleagues carry around, notebook PC,cables more cables and enough AA batteries to ballast a battleship. In short, each digital technology confers its own advantage and just because it's digital doesn't mean it's automatically better. I still wear an analog watch and I'm also much happier with the analog rev counter in my car that bounces as the engine purrs. Seriously, though, even if you take personal taste (dare I say, style) out of the equation, moving to a digital medium should be a decision based on your needs and expectations, not to mention sound financial judgement. Today's digital cameras are expensive. Unless you're an estate agent taking and processing 72 shots a day, the high purchase cost will be hard to justify. Better results can be had with a cheap automatic job and a basic flatbed scanner, although getting pictures to and from screen (if that's what you really need to do) is a piece of cake. As for running costs, you won't need film or processing, but at roughly $10 a roll it's going to be a long time before that high investment is borne out - and that's before you factor in the way these units eat batteries. As an aside, it's interesting to note that the chemicals contained in batteries are a bi-product of the film manufacturing process, so if film production goes down it's likely that battery cost will go up. However, if you find the flexibility and immediacy of digital technology exciting and as an IT journalist, I know technology can be extremely sexy - then go for it. Just be aware that a product's digital nature is not a guarantee that it's better - for now, anyway. When the cost comes down and the picture quality, connectivity and battery life improves (and I assure you it will), I'll think again. So what's next in line to go digital? Video cameras are already on their way, although this is still a niche market. Digital TV is on the horizon, although most of us now own TVs with digital sound. Around the corner I can see digital business cards, with information exchanged at the press of a button, digital cash with no loose change to worry about. There's even a wave of digital pets on the horizon: MOPY fish, virtual fish tanks, Tamagotchi, your friendly canine Office 97 assistant... The list just goes on and on. As we travel further and further into the digital age, all you really need to do is keep your eyes open. Some exciting new technologies will offer obvious applications for you or your business that will immediately seem ideal, while others will only leave you stone cold. Remember - just because it's digital, it doesn't mean it's essential. Finally, much as I'm proud and pleased with the PC Authority cover disc, PC Authority will be winging its way in a good old-fashioned analog form for some months to come, that I can promise. {Extract} MARCH 1998 PC AUTHORITY 23