F I L M S
This site hosted by Free.ProHosting.com
Google


home>>>

Man from the Moon 2003.....

We are currently making a movie about Pavel Gorgulov, a russian anarchist and poet, a radical ecologist, who in 1932 have killed the president of France, Paul Doumer.


Whose Fly is This? The Fly is mine!
2002; 10', BETACAM SP

Dir. Boryana Dragoeva, starring: Yavor Kostov, David D'Agostino, Edited by SUPERNOVA, camera by Boryana Dragoeva/Oleg Mavromatti, 3D graphics: Oleg Mavromatti; music by DJ Hlam remix of AZIS.

The artist is very grateful to Marsel Duchamp, Ilya Kabakov, Andy Warhol, Josef Koshut - without who, this movie wouldn't have been the way it is and the history of art would have been different..


The Rats are Leaving the Shop

2002, 51', DV
Dir. Oleg Mavromatti

Featuring Yavor Kostov and his camcorder
This is a film about the last minutes in the life of a New York immigrant artist in September 2001. It was shot following the controlled improvisation principle with a movie camera recording the artist's actions in a 50 minute take without cuts, a serious challenge for the senses - even of a trained audience.


Pigs in teh Universe
2001,10', SVHS
Dir. Oleg Mavromatti


The Biggest Meatball in the World (Най-голямото кюфте в света)
2001, 94', BETACAM SP
Dir. Oleg Mavromatti

IIs there still a need of showing a film, or is it enough to get together a bunch of actors in the showroom, diligently acting as an audience? Does modern cinema need an audience, or you can place the showroom on the screen and create a drama in the showroom itself?
Or just to transfer the fragmentary images of the real audience on the screen through a mobile camera... No, this is just an extravagant contemporary project, a game in the non-spectacular mode, for cinema, after all, is essentially a story told from the screen - an archetypal, trivial, full of cliches, but, nevertheless, a story...
"The Biggest Meatball In The World" is an example of nearly classical in its structure, traditionally referential in its postmodern status, polystylistic, and metaphorical cinema...

Such films you can find a million, and the only difference here is the "artisation" of the history of modern art, i.e. this is a story about contemporary art tendencies in the language of these same art tendencies.

And, of course, this is a film coming from the Eastern, the post-communist block, so it is also about the impossibility for the East to acquire the art language of the West, the ever existing problem of communication between the blind and the deaf..

More


BASTARDS (Выблядки)

2000, DV, 95 min.
режиссер Олег Мавроматти / directed by Oleg Mavromatti

Real Horror from electric apliances shop! A scandal movie about the russian mobs (real action from Chechenian War).


Green Elephant Calf (Зеленый слоник)
1999, 140', BETACM SP
режиссер Светлана Баскова / directed by Svetlana Baskova
продюссер Олег Мавроматти / produced by Oleg Mavromatti
В ролях - звезды субкультуры ::Владимир Епифанцев, Анатолий Осмоловский, Сергей Пахомов и Александр Маслаев

"...про то, как плохо в клетке жить, как плохо есть проклятую еду, как плохо всем, а хуже всего - ему, зеленому слонику" удушье и клаустрофобия, слепая любовь в неволе и зов могильных звезд, рецептура героизма и средство от реальности, глухие стены казематов - источник вечного наслаждения, и все радости смерти - в фильме "Зеленый слоник"

Больше
Available in English and Italian


Kokki - the Running Doctor (Кокки - бегущий доктор)
1998, SVHS, 140'
режиссер Светлана Баскова / directed by Svetlana Baskova
продюсер Олег Мавроматти / producer Oleg Mavromatti
исполнительный продюсер Сергей Сальников
…религиозно-экстатическую картину "КОККИ - БЕГУЩИЙ ДОКТОР". Фильм хорош уже тем, что в нем присутствует уморительная сцена: два подвыпивших мужика меряются членами, причем тот, у кого все скромнее, вопреки очевидному утверждает, что у него "и толще, и длиннее". "КОККИ" - этакий женский взгляд, остроумный и оригинальный, на мужской мир. ...("Матадор" 1999)


The Secret Aesthetic of the Martian Spies 1, 2, 3 (Тайная эстетика марсианских шпионов )
1995-97-98, DV, 80' each
режиссер Олег Мавроматти / directed by Oleg Mavromatti
продюсер Сергей Сальников "Когда лица, лишенные ума, спокойны, то играют в карты,
в шашки, читают ведомости, книги, разговаривают вместе,
никого не обижают. Изменение фаз Марса имеет очевидное
влияние на возвращение пароксизмов, не зря древния полагали Марс воплощением воинственности..."....... д-р Кибальтич

top